This is a truely special film that hasn't got its proper recognition. People just don't get it...

This movie is about REAL life, REAL people, and REAL problems...

Hollywood has had a bad habbit of sugar coating reality. All movies have happy endings??? The good guy always win??? Everyone is beautiful???

Give me a break. Hollywood has the tendency of making the bad BAD and the good GOOD. I think most people are somewhere in the middle. I believe that everyone has a dark side and a good side. We're always so quick to judge, label, and forget about people.

A little advice to people in general, never forget anyone.


Powerful film, excellent score (soundtrack). I recommend this film to all those mature enough to pay attention.

SHIN RAMEN is a worldwide popular hot and spicy noodle ramen, made of beef flavor and various natural seasoning. Creating a sensation since the first roll out in October 1986, Shin ramen noodle has maintained the position as best selling ramen noodle worldwide. It is also loved in Japn, US, Hong Kong, Taiwan and China due to its unique and hot taste.

for me, Shin Ramen by Nong Shim is the best ramyun to date,, haha..
nissin who? lucky (me)what?...

Ramen noodles (aka: Ramyun) is a Korean food ready to eat in about 5 minutes. Mouth-watering ramen noodles and aroma of ramen soup will enlighten your sense of taste and smell. You may add egg, vegetables, and other sauces to create your very own ramen noodles.

Where Love and Hate meet...

"A GREAT MOVIE, BUT IT DIDN'T FEEL LIKE I WAS WATCHING TRANSFORMERS..."

"DISAPPOINTING, BUT ENTERTAINING"

A bit disappointing to "real transformers" fans. The saving grace for this movie was its special effects, and then the fantastic CGI rendering and animation. I would have desired the look of the robots to resemble the 1st generation robots more but the production team, unfortunately, may have opted to focus on realistic physical aesthetics. Also, I found out that they mostly drowned the transformation sound - which they claimed to have reproduced for this movie. This distinct sound is a very important key element for the movie's overall success as it would have provided nostalgic inspiration to the Transformers fans of my generation.

Maybe I was expecting too much from the story but that's just me. In fact, I actually have high expectations for movies coming out from Marvel's comics line. Seeing Michael Bay direct this movie got many people excited about the kind, ferocity and quality of the action scenes and special effects they were going to expect. I give this aspect a near-perfect score but the story and the script should have been improved more, I think.

I still enjoyed the movie nonetheless for all its action-packed merits. And simply because Transformers is just a hands-down favorite.

"It's a bird ? It's a plane ? No, look... It's a disaster ! No need to look up in the sky."

First, let me just comment on what I liked about the movie. The special effects were fantastic, the"updated" costume was ok, it made superman look very majestic and royal. Kevin Spacey was a great choice for "Lex Luthor", although the comic book Luthor is a shrewd, cold-hearted business tycoon who is more apt to run for President than try to destroy the world.The movie's Luthor, the wacky well-educated business tycoon who is totally focused on personal gain and who comes up with zany schemes to destroy the world. Made the movie really entertaining and comical.There, that is the last nice thing I have to say about this film.

I have no enthusiasm for this remake. Its a poor start to rekindle this franchise.
I have innumerable complaints about the film, but three major complaints jump to mind.

My first major complaint has to do with the incredible cheesiness of the "plot twist" (if you can call it that since most people probably saw it coming a mile away)

My next major complaint has to do with the fact that Superman lifts a continent made out of kryptonite up into outer space. It doesn't take comic book guy from the Simpsons to point out what's wrong with that. I don't know how many comic books Brian Singer has read, but when Superman is exposed to even a small amount of kryptonite he barely has the strength to stay on his feet. Whoever had the idea to have him fly a large island made out of his greatest weakness into space has no business being associated with any Superman-related projects ever again.

My third major complaint has to do with the fact that Singer slaps movie-goers across the face with religious symbolism the entire movie. I have to take issue with his characterization of Superman as the only son of a God-like Jor-el sent to Earth to be a savior. Jor-el wasn't all-wise, he was just a scientist. And he didn't send his son to earth to be a savior, he threw him in a rocket and hurriedly fired it into space because his planet was about to explode.

To summarize, I don't know what I hate more, the movie itself or the fact that so many people seem to be giving it good reviews. Everyone is entitled to their opinion, but if you don't hate this movie then your opinion is wrong. I sincerely encourage anyone who reads this not to see this movie if you haven't already. This movie is a really big disappointment, Bryan Singer owes Superman an apology. This is the worst superman ever.

If you're a Superman fan and you really want to see this movie, just bend over and have someone kick you in the balls and you'll get the same experience without having to waste 2 hours of your time.

The Akafellas.
NO INSTRUMENTS. JUST VOICES.
With these words, the Akafellas have established themselves as the premier popcappella group in the Philippines and presently one of the hottest local group artists. With their unique brand of music called popcappella—popular music sans instrumental accompaniment—innovative showmanship, creative energy, and young appeal, they have thrown acappella back into the limelight and brought it to a wider, more mainstream, and much younger audience.

Taking their artistic inspiration from other venerable acappella groups such as The Tux, The Opera, and The CompanY, the Akafellas showcase their unique take on different musical genres (jazz, R&B, hip-hop, standards, pop, rock, dance, alternative, and techno) by rendering them in purely acappella. With their amazing musicality proven by rich melodies and harmonies, jaw- dropping simulation of instruments and effects, and vibrant performances, the Akafellas achieve a complete live band sound—with just their eight voices.

THE VOICE BAND.

Before their appearance in the local music scene, the group started almost three years ago under a different guise, the Akafellows. Then an all-male choir, the group was composed of students from different schools brought together by their mutual love for music and interest in theater. All individually talented performers, they gradually developed their own kind of music, inspired by other college-based popcappella groups in the United States.

After some major changes with their name, image, repertoire, members, and even management, the newly renamed Akafellas made their major debut at Magic 89.9’s VOICES Popcappella Competition in late 2002, bagging the First Runner Up and Crowd Favorite Awards. Soon after, the group went on to perform all over the country alongside other local artists, stage its own concerts, and even open for international artists Stephen Speaks, Mandy Moore, and Mariah Carey.

"Four have the power. One will stop at nothing to possess it."

In 1692, in the Ipswich Colony of Massachusetts, five families with untold power formed a covenant of silence. One family, lusting for more, was banished - their bloodline disappearing without a trace. Until now.

It’s a little like a cross between “The Craft” and “The Lost Boys”, with a whole lot of “Charmed” feel to it…

The intense sequences of action and violence are a little bit cheesy.
The simplicity of the special effects was great. I specially loved the way their eyes turn “as black as night”…
The movie was very masculine; you can say that it’s a lot like “Charmed” except instead of estrogen powered witches its testosterone powered warlocks…
The soundtrack was great; the combination of the music with the fight scenes makes you feel like having an adrenaline rush.
The cinematography by Pierre Gill was great; it was very eerie, spooky and creepy.
The story was very short, and didn’t have much depth to it, what really impressed me most of all was the tender love story between the teenage couple. When was the last time you saw a film where teenagers were in love and they just kissed, smiled and said goodnight? It was so sweet and innocent - far from the graphic bump and grind of most of today's film. But other than that it was very entertaining and easy.

"A lifestyle is a terrible thing to waste."

HBO presents Entourage, the hit comedy series executive produced by Mark Wahlberg that takes a look at the day-to-day life of Vincent (Vince) Chase, a hot young actor in modern-day Hollywood, and his entourage. He's brought with him from their hometown in Queens, NY: manager Eric, half-brother Drama, and friend Turtle. The series draws on the experiences of industry insiders to illustrate both the heady excesses of today's celebrity lifestyle, as well as the difficulty of finding love and success in the fast track of show biz. Now that the boys are getting used to the perks of stardom, Eric, along with superagent Ari, keep Vince's star rising while making sound decisions for a long-lasting career in a world of fleeting fame.

Adrian Grenier ("Drive Me Crazy," "Hart's War") stars as Vince. Kevin Connolly ("Antwone Fisher," "John Q") plays Eric, Vince's closest confidant who's learning the rules of the business as he tries to help Vince make the right choices and keep his trajectory aimed high. Kevin Dillon ("The Doors," "Platoon") plays Vince's half-brother Drama, whose own acting aspirations have been eclipsed by Vince's success. Jerry Ferrara ("Grounded for Life," "Leap of Faith") plays Turtle, the house manager, who's always up for a good time. Jeremy Piven ("Old School," "The Larry Sanders Show") plays Ari, Vince's aggressive, high-powered agent, who clashes with Eric over his client's decisions.

Also appearing in ENTOURAGE are Debi Mazar ("Goodfellas," "The Tuxedo") as Vince's publicist Shauna and Rex Lee as Lloyd, Ari Gold's much-maligned assistant.

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Entourage is one of the best new shows in the last few years. Entourage brings the lifestyle of the young and famous, in a likable sharply written easy to take in way. The key to this show is the writing, always witty and hard hitting. The thing that makes the dialogue so great is that it is what a lot of people in the early 20's use. Whoever writes the screenplay for this show ought to win an award. So many movies and TV shows lack what some people would call "everyday people language". Too many TV shows and Movies have stupid one liners and overall dialogue that just isn't what "real" people say. The writer's don't tame it down, it makes it easy to believe these are real people and gets you connected to the cast quickly. The realism of the series and the great guest stars they get is also a wonderful treat (sara foster, Scarlett Johanson, Jaime Presley, Ali larter to name a few). Ari Gold the super-agent is rapidly becoming one the most recognizable characters on HBO series with his hilarious lines and over the top antics. Jermey Piven as "Ari" is incredible. He is exactly what I picture a Hollywood agent to be. The only thing I hate about the whole show is that it is only a half an hour long and only on once a week. I hope this show goes on for years. WATCH THIS SHOW!

"Somebody saaaaaaavvve meeee!! Don't care how you do it!"

With the spectacle and fury of a meteor shower raining down on the quiet Kansas town of Smallville, creators Alfred Gough and Miles Miller resurrect the Superman legacy for the WB generation. "Smallville" revises and recounts the Man of Steel's origins: as geeky farm boy Clark Kent (Tom Welling), son to Martha and Jonathan Kent (Annette O'Toole, John Schneider), childhood friend to Luthorcorp protégé Lex Luthor (Michael Rosenbaum) and admirer of Lana Lang (Kristen Kreuk).

This is a confident, rock-solid and flawlessly executed series. Working backwards, Gouch and Miller fill in the Christ-like gaps in Superman's life, expand it to series length and take a few liberties of their own in the process. With the aid of some truly special and effectively used special effects, "Smallville" brings Clark's abilities to life from his super-speed to his pubescent heat vision and his x-ray vision. Through a series of cleverly orchestrated set pieces, the show maintains that fine balance that lets Clark use his abilities but is given a challenge (with meteor rock created mutants and some well placed kryptonite) and keep his secret from being blown by any bystanders (the characters suffer more bouts with amnesia, hospital visits and ancient bodily possessions than a lifetime of soap operas).

The show overcomes the inherent problem of loosing our attention after the first 2 seasons. The undeniable curiosity here is the set-up: watching a plaid-wearing teenager coming to grips with fantastic powers. Quickly the show gets down into Clark's Krypton mythology via mysterious symbols conveniently carved on a cave wall and a genius scientist (Christopher Reeve in a stupendous guest starring role) that lead him to his real father, Jor-El (voiced by Terrance Stamp), and a destiny far beyond mortal men. The show unfolds each revelation patiently and more competently than most heralded serial shows. Watching it we feel we are in the hands of people who know what they are doing and where they are going. It isn't until the 4th season when Clark, possessed by Kal-El, finally takes to the skies for one sweet moment.

"Smallville" is packed with clever references to all things Superman. I'm not a comic book/"Superman" connoisseur, but you don't have to be to enjoy all the pleasures and thrills this show offers. But to get caught up in mythology, action and grand effects would tempt us to ignore where the show's biggest strength lies. "Smallville" is far removed from the cheese of Superman movies, the camp of "Batman" or the men-in-tights of the average syndicated fantasy series. "Smallville" gives these characters their dignity back and makes their relationships mean something. With a flawlessly cast ensemble and attention to relationships, the show is an equally rewarding character drama.

At first I didn't know what to think of Welling's Clark. At first, he looks so green and awkward. But that fits the character and – with Clark - Welling matures into the role. O'Toole and Schneider are the perfect Kent parents. Kreuk as Clark's crush gets the thankless dramatic role, but is a game delight when able to branch out of it (she looks like she is having a ball with a crazy story arc involving an ancient witch). Late edition Erica Durance perfectly nails Lois Lane's spunk and sass. Rosenbaum's Lex is a precisely measured performance, convincingly conveying the man's charm and desire to genuinely help his friends and break from his father, and yet at the same time Rosenbaum plants a darkness behind Lex's eyes that you can almost see screaming to get out. By all accounts the master villain of the piece is mobster-like corporate pirate Lionel Luther, played with a slickly menacing panache by John Glover.

Ironically, one of the show's best elements has nothing to do with the Superman universe at all. Chloe Sullivan lives and breaths journalism and serves as Clark's partner-in-crime-solving when the strange and bizarre surfaces. Allison Mack plays Chloe with such heart and subtle realism that, even when given smarty-pants pop culture lines that feel more at home on "Popular", she steals every scene. Keep an eye on her as you watch the seasons. It is as if Mack is playing the only real person in a comic book world. All these characters are given proper story lines, all at once and all of it plays into the show's grand plan. "Smallville" is almost too busy. Too much of a good thing. Similar to 2001's Fox thriller "24" in that it is constantly painting its characters into impossible corners (the cliffhanger finales are brutal) and contorting to get them out.

"Smallville" is a chameleon reinventing itself and maturing with every season. First the superhero elements are draped in the trappings of an average teenage series, complete with a free-wheeling use of only the most popular Top 40 songs. "Roswell" did the teenager/alien metaphor first, but "Smallville" does it better. Fans of this "Smallville" will curse it as it gets darker and progresses toward full-on supernatural territory ("going all X-Files" on us).

My biggest grip is the lack of originality in some of the stand-alone episodes. Countless contemporary films serve as episode inspirations that get the "Smallville" treatment. But since the basic concept is from source material, it is hard to argue for originality. It is even harder when "Smallville" does it better than those movies.

Gouch and Miller have taken a commonly known story and, against all odds, made it fresh. What could have been pulp comic book fun turned into an unpredictable, exciting, emotionally resonant and a tremendously entertaining work of cinema quality television. When it is all said and done "Smallville" may turn out to be the best superhero series to grace the small screen.

The Most Embarrassing Show to come out of Philippine TV...

First & foremost, the original Capt. Barbell already has an existing storyline which is already a very smart, very witty, and very interesting storyline of a skinny kid known as "Tengteng" who, whenever he lifts the mystic barbell given to him by a strange hermit, transforms into the muscle-bound hero known as Capt. Barbell. Only a few of the elements from the original storyline created by Mars Ravelo were altered and improved in the adaptation of the Bob Soler-Dolphy and Herbert Bautista-Edu Manzano movies of Captain Barbell. Among them was a funny emphasis on Tengteng's love interest, who, before knowing of Captain Barbell, was still in love with Tengteng, but when she met Capt. Barbell, immediately diverted her attention onto the muscle-bound hero. In addition, there is the dramatic contrast of Tengteng's skinny features with his alter-ego, the musclebound, evil-crushing Capt. Barbell. I am tempted to imagine that there is some kind of influence that has put Richard Gutierez on both roles because, if he plays only one role of either Tengteng or Capt. Barbell, he would have a very minor screen time. And of course, he wouldn't take a minor role. Even though, in my opinion, the Imaw the puppet in Encantadia is a better actor than he is. In this act of actor-worship committed by the producers of the show, they have destroyed the one element that has made Capt. Barbell unique among any other local superheroes, also eliminated the chances to make great story lines out of this comedic scenario that CB has with his skinny alter-ego Teng-teng.

In furtherance of what appears to be superstar-worship on the part of the producers, their version of Teng-teng is named in a seemingly pop idol nickname "Teng" whose only distinct feature apart from his Capt Barbell persona is a silly little facial scar. It borderlines itself to hilarious comedy that what hides another's secret identity is a lack of cosmetics that will take off facial blemishes. Maybe it is superstar-worship at work that the scar is made so small and the Teng-"look" so non-pathetic that it still qualifies as "teen flick protagonist look". I can imagine the actor telling the producers "Please, don't make me too ugly... I still want to look gwapo" If the producers only had some manner of artistic sense and less of that stereotype tacky-minded and narrow-minded factor, they should've cast people who indeed fit the roles of Tengteng and Captain Barbell; Maybe some skinny comedian like Pekto or Rainier Castillo for Tengteng, and they should've had auditions for bodybuilders who are fitting enough for the role and have the talent to act.

GROSS LACK OF ORIGINALITY A single afternoon episode of the radio drama CONDORILLA has MORE originality than the entire 2 or more weeks of the Capt. Barbell series since its start, up till the present episode. Each and every detail of the characters and incidents in the Captain Barbell series has been unmistakably similar to the sequences in the Superman movies (both in Smallville and in Superman the movie). Unmistakably similar to a point that it would be unbelievable to qualify it as something coincidental. The gross lack of originality that surrounds this project is so severe that one would jump to the conclusion that the show's pool of writers are a bunch of talentless hacks. Even the character's names are hilariously un-original; In the show, Cabtain Barbell's parents are named Capt. B and his wife, Mrs. B. Their enemy is simply known as General. And his henchman that killed Capt. B is Commander X (to make things worse, his appearance & costume design looks exactly like Peque Gallaga's "Batang X" which makes the character a grown-up version of Batang X). Are their writers so untalented that they can't even give decent believable character names? They all sound like characters from a laundry soap commercial.

Captain Barbell is laced with numerous ridiculous sequences too. Some of the heroes would face off against Robotic foot soldiers clearly armed with laser rifles yet, when they fight each other, they often end up resorting to mere fisticuff & martial arts. Instead of utilizing what already is an established and original storyline of a Pinoy superhero, the producers of the show tarnished that Pinoy superhero reputation by making their own version, which is a mere copycat of the obviously popular Superman storyline. Before Superman's parents would die, they sent their son to Earth via a space pod; before CB's parents died, they sent their son to present-day Earth via Time pod. Even though time pods travel through time, we see the time pod on the CB show zooming like a falling meteor, apparently traveling from outer space instead of from another time dimension.

The Captain Barbell TV series insults the reputation of the Filipino talent in the field of TV & movies. Instead of cleaning the reputation, it makes the local industry look worse. Sure, the masses may love it; their ratings may soar; but history will remember it to be an embarrassing project that makes the local industry look bad. These big production and network companies have the power to influence the taste of the masses. Look at ENCANTADIA. It was smart, refreshing and inventive, and it did not stop the masses from loving it.